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Rekindle Your Creative Spirit Through Poetry

By

Joy Nord

 

    “In the language of the Arctic, the word for ‘poem’ also means ‘soul’ or ‘spirit.’ Like a window to the soul, poetry connects us by evoking universal emotions. For the writer, poetry is a chance to express what is in the heart; for the reader, poetry places that message into a new heart. These inspiritry presentations offer both poets and poetry lovers some insights into the process of poetry and the inspiring power of verse.”---Anne McCrady, InSpiritry

 

     In celebration of National Poetry month, award winning poet, storyteller, inspirational speaker and occasional singer/songwriter, Anne McCrady, will speak at the April 5th meeting of the San Gabriel Writers’ League.

     Anne’s program, “The Shining Surface of Our Words: What Makes Poetry Poetic?” takes a look at the many definitions of poetry, offers selections as illustration, and shows how poetry can add luster to any genre.

     An enthusiast for openhearted living, Anne’s writings and performances never fail to give her audience and readers hope and encouragement along with an overflowing portion of food for thought. Her writings are published in numerous journals, anthologies, and other publications including her newest credit, The Book of Hopes and Dreams, an international anthology whose

proceeds support the medical mission work of Spirit Aid in Afghanistan. Her poetry, mostly conversational free verse, explores the challenges of “living with an open heart.” A poetry

collection called Along Greathouse Road won the 2003 Poetry Society of Texas Edwin M. Eakin Book Publican Award. That same year, her poem, “Sunday in the House He Left,” won the National Federation of State Poetry Societies coveted top prize, the Founders Award. She has also authored a gift-book titled Kevin and the Seven Prayers-A Parable of Peace.

     Besides being the founder of InSpiritry, an endeavor to rekindle the creative spirit of individuals and organizations, Anne serves as a councilor for the Poetry Society of Texas, and coordinates the Student Poetry Contest for East Texas schools.

Throughout the state, she participates in various other literary organizations as a judge and critic. She was recently named

poetry editor for the educational journal, English in Texas.

     For more than a decade, Anne’s storytelling has delighted audiences at churches, libraries, festivals and other events including the Texas Storytelling Festival and the National Storytelling Conference. Her InSpiritry program offers inspirational presentations as well as a variety of workshops, which can be adapted to fit either an adult or student audience.

     In 1995, for her commitment to education, community progress and social justice, Anne was named the Rusk County Outstanding Young Woman of the Year.

     Her current projects include: pursuing the publication of several children’s books, working on two new poetry collections, and redeveloping her website to include a blogcast of literary, social and political InSpiritry. When not traveling for speaking engagements, Anne retreats to her studio in the piney woods of East Texas; surrounded by hundred-year-old pecans and oaks, she finds inspiration to compose stories, poetry, and devotionals, which are insightful and heartwarming.

Novelist to Share the Advantages of Entering Contests

By

Joy Nord

 

“In Texas, we don’t ask if you have any crazy people in your family, we ask which side they’re on . . .”

Cauley MacKinnon, Scoop

 

    Award winning novelist, Kit Frazier, will share her success with other writers on how she obtained an agent and a two-book contract, by entering contests at the March 1st meeting of the San Gabriel Writers’ League.

    Professional journalist and member of the Texas Press Association, Kit is a two-time, first place novel winner of the Writers’ League of Texas and Merritt Awards, as well as second place winner in the Writing Smarter Contest sponsored by the San Gabriel Writers’ League.

    Kit’s program, “From Contests to Contracts” will explain the advantages of entering writing contests, what judges look for in the first five pages of a manuscript, and the importance of a strong hook. She will also discuss the significance of a finished manuscript before an agent interview, and what to expect when you sign with an agency.

    Kit’s experience with contests has inspired her to publish numerous articles that refer to the writing industry, such as: “Pitch Like a Pro,” “Kick Butt Query Letters,” “Agents and Other Predators,” “Synopsis that Sell,” “Revision Survival Guide,” “Spend Your Money,” and “Brand Yourself, Baby.”

    Kit Frazier comes from a long line of trailblazing women. Named after her great, great, grandmother, Kit Hockaday, who saved her husband from Civil War bushwhackers—twice—Kit hopes to add to her family’s tradition of unconventional women.

    However, finding her own way hasn’t been easy. Her brief attempt to follow in her mother’s footsteps, as an Air Force police officer, was shot down by the color of the uniforms. Therefore, she began to search for other ways to fulfill both her patriotic duty and quirky sense of adventure.

    Journalism seemed the best course of action. “As a journalist, I’m able to draw attention to stories that might otherwise go unnoticed, and I’ve written the gamut, from investigative reporting on pollution, to the F4 Pedernales tornado that destroyed homes and left lives in ruins,” Kit says. “Then again, I’ve also written about discount caskets and more breast enhancements and Botox than I care to recall.”

    Although Kit has had rewarding experiences in writing for the newspaper, the stories she grew up listening to kept rattling around in her head, and she decided to write fiction. Kit’s romance-writing friends encouraged her to turn her pen toward passion. But the romance road was a little too rocky. “My friends are very good at it, and I love to read their work, but as a divorcee before the age of 25, I figured I had no business writing the happily-ever-after thing,” Kit says. However, she did write a romance novel that did very well. It won lots of contests and even got her an agent. Nevertheless, she felt the romance genre just didn’t seem right for her. So, she turned her focus back to her family roots: her mother a policewomen, her grandmother a ‘medicine women’ and her great, great, grandmother a sharp shooter. What better stories are there to write about than life, love, and the occasional dead body?

    The idea for Scoop, came to Kit while she was chatting with an agent at William Morris Agency about another manuscript. The agent loved her writing style but wanted Kit to rewrite the story by getting rid of the guy and the baby. Kit decided just to writer a different story. That night she went home and wrote the first sixty pages of the novel. “It was amazing,” Kit said. “I knew I was on the right track because the protagonist, Cauley MacKinnon, a spunky, down-on-her-luck obituary writer, came to me whole and ready to tell her story. It was just one of those gifts from above, I think.”

    Since then, Kit’s adventures in mystery writing have led her down some unexpected and fascinating paths. She participates in research and training with the FBI and Austin Police Department, which provides lots of opportunities for murder and mayhem.

    Scoop, A Cauley MacKinnon Novel, by Midnight Inc, was chosen the Mystery Pick of the Month by the Mystery Guild. Scoop, first hit the bookstores in September 2006 and held the number one spot on the Austin bestseller list for two weeks. The book has now gone into its second printing. The second book in the series, Dead Copy, will hit the shelves in May 2007.

     Although Kit writes mysteries, she is an active member of the Austin chapter of Romance Writers’ of America. She resides at Lake Travis, with her dog, Tahoe, who plays a significant role in the mystery series, and is willing to work without a contract.

February, 2007 meeting minutes

 

      Approximately 25 members and one guest attended the February 1 meeting of the San Gabriel Writers' League.

     Program chair, Joy Nord, introduced the speaker, Connie Miller. Mr. Miller is a member of SGWL, and the author of Concepts of a Black Conservative: Candid Political Incorrectness. The author's topic for the evening was "Black History in

America." His talk ranged from the contributions of blacks in the military beginning with the Revolutionary War to the Tuskegee Airmen of WW 11. While serving their country through all conflicts, blacks were not integrated in the military until the Korean War.

Mr. Miller then spoke of the many inventions by blacks that have added to our everyday lives. His current project is a work on Frederick Douglass, a man considered by Mr. Miller to be the father of the Civil Rights Movement.

     President Joan Hall opened the meeting by having members complete a warm up assignment, then asked those having 'brags" to announce them. Sylvia Dickey Smith and Trudy Wheeler will both see books published in the spring. Addie Busfield was

commended for her help with Trudy Wheeler's book.

     Following were reports by committee chairs. Treasurer, Sylvia Dickey Smith, presented the financial report, which will be voted on by members at next month's meeting.

     Program chair, Joy Nord, announced the speaker's topics for the Spring Workshop. Paula Yost and Lena Nelson Dooley will address Memoirs, Marketing and Blogging.

The new Georgetown Library will host the May 5 workshop, and will be the new meeting place for SGWL gatherings beginning in April.

     Tammy Petty Conrad urged members to sign up to judge the contest entries as well as submit entries. The deadline is February 14.

     Two new members were welcomed: Lisa Barnes and Janet McGuffin.

     Carol Menchu requested material for the Gabriel Writer and announced that SGWL has 53 paid members.

     After a reminder of dues, Joan Hall adjourned the meeting.

                                                Respectfully submitted, June Venable, Secretary

 

Member of the Month –

Editor’s note:  For those of you who don’t know, whoever is the member

for any given month must write the next Member of the Month article.

Roger Busfield:  “Distinguished” Member

                                                                                                                by Carol Menchu

     Behind every person is a road well-wandered with unimagined stories to be told about how they got to be who and what and where they are.  Roger M. Busfield, Jr. is one such person.

     Born in 1926 to a newspaper family in Fort Worth, Texas, Roger grew up surrounded by words written by his parents, both seasoned newspaper reporters.  When asked, as a child, what he wanted to be when he grew up, he said, naturally, he wanted to be a newspaper reporter.   It follows, then, that during his high school years he wrote a weekly column for the Austin American Statesman entitled  “Citizens of Tomorrow.” 

     During this time, Roger realized that being in the newspaper business was great training ground for creative writing because of the spectrum of people he could interview.  During his teaching career, Roger consistently told his students that journalism is a good training ground for playwriting.

     While attending UT in 1943, Roger continued his newspaper career as Night Sports Editor on the Daily Texan and also joined the U.S. Marine Corp officer training program.  He was transferred to Southwestern University in Georgetown where he completed his college training.  In 1944 he transferred on to ‘real’ basic training at Paris Island, South Carolina, ending up at Quantico where he was sent to Japanese Language School in the Spring of 1945.  UT, however, did not have an oriental language department so, once again, Roger came back to Southwestern University in 1947 and after testing, got credit for his Japanese Language courses.  He then took a Fellowship in English and taught “Zero” English (a non-credit English crash course) to Veterans who wanted to go on to College.  Roger received one of the last Masters Degree in English awarded by Southwestern University. 

     While in the Marine Corp, Roger wrote The White Lawn, a contest play based on a Marine who was off fighting and met his wife on a white lawn in his dreams.  This play was produced by a handful of schools and the Martin High School in Laredo went on to win third place at the State Meet at UT.  This success convinced Roger he should continue writing.

     While teaching speech at the University of Alabama in 1949, Roger was writing a dramatic radio series.  He went on to get a Ph.D.  in Dramatic Writing at Florida State University in 1954.  Moving on to Michigan State University, for six years he taught all of the dramatic writing courses. 

     During this time, Roger’s Land of Plenty, a pageant on the 100th anniversary of agricultural mechanization was written and presented.  The pageant, built around a family that lived on a farm for 100 years, showed how, during World War I, when horses went off to War, something had to replace them on the farm.  This pageant ran for 10 performances to an audience of over 40,000 people. At one performance, a delegation from the Soviet Union in the audience, caused the only “politically correct” changes made to the narrated portion for that one performance only.  Roger also wrote The Carol of the World, during this time.  This is a play that tells the story of the writing of the song, Silent Night.  It was televised in 1948 over KSD TV in St. Louis Missouri.

     In 1958, The Playwright’s Art: Stage, Radio, Television, Motion Pictures, evolved from the basis of  Roger’s Ph.D. Dissertation.  Roger researched playwrights from 1900 to 1950 who had five plays which ran 100 or more performances and compiled their experiences and knowledge into a book that was translated into Arabic and can still be found at Amazon and other bookstores in the US and Great Britain.

     Roger, in collaboration with Jed Davis and Mary Jane Watkins at the University of Kansas, wrote the Children's Theatre Play Production for the Child Audience, which was published in 1960 and is still available on Amazon.com.

     Roger and his wife, Addie, moved to Georgetown in March of 1997, at which time Roger joined the San Gabriel Writers’ League.

       Designated as “Distinguished Alumnus” by Southwestern University in 1977, Roger was, on his 80th birthday in 2006, honored at a ceremony endowing a scholarship in his name at Southwestern.  We are lucky to have such a “distinguished” member in our midst.

As a member of the League, Roger has presented workshops, served as President (2000 and 2001), and is the Resident Agent.  He provided witty introductions at the Madcap Classics performances at the Palace Theatre in Georgetown Texas, has been Program Coordinator with his wife, Addie, and continues to ply us with witty comments and wisdom.


Create a Literary Legacy – The Golden Rule Still Works

                                                      from your pres., Joan Hall

      Recently I’ve connected with an amazing group of writers, whose only common connection is that our novels come from the same publishing house, Zumaya Publications. I’ll have to admit I was less than enthused when our editor, Liz Burton, set up a Yahoo group for us to share ideas for promotional efforts. But what an eye-opener it has been.

     First, an experienced novelist in Canada invited any of us who write under the “Other Worlds” imprint (SF & fantasy) and also mystery writers to send a photo of ourselves in our work spaces and describe what we do. That was easy enough; it’s the same picture I have on my home page. She posted each of these pictures on her website. The effect surprised me, however, in that I began to feel I “knew” those other people as we found shared interests.

     Next, a young first novelist, who lives in Hawaii, suggested starting a “Golden Rule Group” of up to ten people. We trade reading each other’s books, and if we like them, we write online reviews. Reading exciting books and talking about them is my cup of tea. I was gratified to hear they like my novel, Arturo el Rey, too. I discovered that having a handful of fans is better than none at all, and we can spread the word about books we enjoyed. After all, readers who favor one of our books are likely to go for books by the rest of the Golden Rule Gang.

     Since then I’ve been scrambling to keep up because most of these writers are far more technically advanced than I am. They started a blog, called “Confessions of Ten Mad Authors” at http://madten.wordpress.com. Despite their encouragement, I was a tortoise racing with hares. I’ve had to postpone blogging while I struggle with a learning curve. To do my part, I proposed something within my own abilities: a newsletter to reach readers who would never open the cyber-door of a blog. Some of the Mad Ten are with me on this, the Page Turner Newsletter.

     And the blog? To my surprise, I’m finding it so interesting, I check it almost daily. My “mad” cohorts are even posting some of my stuff for me.

     This personal story has a point. When writers help each other, who knows where it will end? A small example came when I received an order to mail my latest release, Ghostly Tales from America’s Jails, to one of my buddies in Belgium.

     Have you hugged a fellow writer today?

     PS – You will soon be receiving the first issue of our email newsletter, Page Turners, to see how you like it. (I’ve also teamed up with Joan and Steve Neubauer of WordWright.biz to make this better.)

April articles wanted:  Poetry

     April is poetry month so . . .  send me your poetry.

ALSO  I cannot open Word Perfect.  Please, if you do not have Microsoft Word, when you send me things for the Gabriel Writer, just copy and paste them into your email.

“Resolve, Harlequin!" Said the Ticktockman

                                  by Sam Holland

     2007 has only just begun, and just like that, it’s already 1/12 over. How did that happen? Luckily January isn’t quite over and… wait, what’s that? It’s February? It seems somehow I missed the entire month of January. I’ve got lists of things to do, flow charts to dictate the manner in which I’m to do it and a twelve month calender to superimpose over the lot to keep on track. I didn’t think it was possible, but I’ve micromanaged myself.

     New Years Resolutions are those nasty little trolls that erupt from the soft parts of our brain in early January with nagging little voices and hats made out of guilt (which is hard to stitch by the way, but those trolls have lots of time). We sit back, observe our lives, and find ourselves lacking in one or more areas. Then we pick the hardest item on the list and try our best to improve on it. Now that the year is over a month old, it’s time to reflect and remind ourselves of the resolution we’ve already broken.

     In order to increase the chances of sticking to the resolution, why not lower expectations a bit? Replace one of the most popular resolutions, “lose weight” with something more easily attainable like “bathe regularly.” As writers, our goals tend to be more along the lines of “finish novel.” I’ve found that “complete grocery list” is much easier to achieve and fills me with a sense of accomplishment. Besides, then I don’t even have to boot up my computer and be tempted by e-mail and the internet and “research.” You all know what I’m talking about, but between you and me, two and a half hours on Ebay is not research, I don’t care if your character does own a doily from the Civil War.

     So those of you who have difficulty making and keeping resolutions, I’ve come up with a little script for you. If we all say it together, the sheer unifying force of our voices rising in chorus will propel us to success. All together now:

     “I resolve to make a resolution to create a goal that will affirm my commitment to do all I want to do and be all I want to be. I have a strained, unwavering, bleary eyed focus on my goal that will not bend, not even in the face of chocolate cake or classic reruns of Saturday Night Live. I resolve to make my resolution resolute, so as the year passes I won’t have to re-resolve my resolute resolution lest I become disillusioned with my resolution and faced with the revolution of my resolution the result of which would be the dissolution of my resolution.”

     There, that should do it.

Unfinished manuscript ?

                                                                                                                Lee Masterson

    Most writers will admit to having an old, half-finished manuscript tucked away in a bottom drawer somewhere. Some writers may even be losing momentum on their current project, believing their original idea is no longer valid, or worse, dying a slow painful death.
     Is it possible, then, to resurrect these projects and breathe new life into them?
     Of course it is.
     Sometimes just reading through a long-ignored manuscript can spark the lost enthusiasm. Seeing it again after some time has passed can also highlight any problems there may be and send you on a rewriting binge to set it right.
     But it's not always that simple. What if the manuscript really doesn't ignite anything within you anymore?
     Try to identify what made the original idea behind the writing exciting to you in the first place. Then read through what you've written and be honest about the way the work makes you feel. Compare this feeling with the bare-bones excitement of the idea itself. Does the story you wrote convey the concept in the best possible light?
     Often the problem is not in the idea, but in the development of the theme you have chosen to bring that idea to life. Perhaps one of the characters has taken your plot on a joyride that runs on a tangent to the original concept. Or perhaps the plot itself doesn't explore the idea fully enough to sustain the initial excitement you felt when you first had that burst of inspiration.
     Be ruthless here. Cut all of the pieces that detract from your original concept. Don't worry about losing sections you like. You can always use those cut pieces in future writing projects. If they send your plot-line off on a tangent, then they play no part in your resuscitation effort.
     Pull apart any sections of writing which don't contribute to the central theme, or advance your plot. Be scrupulous with any dialogue that wanders aimlessly and doesn't give your readers new information about the idea you wanted to write about in the first place.
     After you've removed any scenes or characters that don't add to the development of your idea, read through what you have left. There may not be much left, but what is there should display enough to convey the original enthusiasm that sparked the whole idea in the first place.
     In some sort of logical sequence, piece together the bits that remain. At the heart of these snippets you should see a tangible plot trying to emerge. Filling in the missing plot pieces at this point should be an easy step.
     With the original spark you felt for that storyline restored, not only will you find the rewriting process much easier, but you will also find hidden reserves of motivation to drive you along.
     As for the sections you ruthlessly cut, place them in a separate file. They can easily be resurrected too - as a healthy start on your next writing project.

Casting Your Characters

                                                                              by Lee Masterson

Main Character
     Not to be confused with the Protagonist, the Main character is the person the audience views the story through. Sometimes, this will be the narrator of the story, The Main Character's point of view will be the focus for the story, giving more valuable insight into the "hero" from an outside perspective.
     Writing about events from the point of view of another character - one who can only view the action from the outside - can give an amazing extra level of depth to the Protagonist character, as the 'hero' can not always see himself or his actions in the same way as others will view them.
     For example, in Anne Rice's "Interview with the Vampire", Louis - the vampire giving the interview, and thus telling the story - is clearly the Main character in the book. But he is not necessarily the Protagonist. Things simply happen to Louis and he recounts those happenings.
     Lestat - the vampire about whom the story is centralized around - is actually the Protagonist. Lestat is the driving force for the plotline. He is the prime mover of events toward a goal in which the other characters are persuaded to also seek. In other words, they become secondary characters in Lestat's search for his own goals.
     This unusual reversal in characteristics makes for extremely well-realized character personalities and gives an interesting point of view reversal at the same time. It is not the only example of this type to be found in this story.   . . . to be continued

Miracles

                                                 Pat Morse-McNeely

A miracle

 When I arose this morning

And the sun began to rise,

Joseph's many-colored coat

Spread wide across the skies -

 

A miracle -

 Happened across the land

The mountains, fields and streams

Infants clasped in mothers' arms

There in the sunshine beams -

 

A miracle -

The world moved slowly 'round

The bright rising King of Day

Trees did slow silent minuets

Watching squirrels at play

 

A miracle -

 Across the shining ocean

Waves rippling to the shore

Breezes ruffled lace-white caps

While gulls called out for more

 

A miracle

 All around Life's orchestra

Hailed the coming morn

Reaching high to Heaven's beauty

Love came, arrived, newborn

 

A miracle.

Historian Focuses on Black History in America

By

Joy Nord

 

       If you believe as I always have that the civil rights movement in America started with the King, and I don't mean Elvis, then think again.

 

      In celebration of Black History month, Georgetown author, Connie A. Miller, Sr. will speak at the February 1, 2007 San Gabriel Writers League meeting. Inspired by the need for Black conservatives to be heard in America, Miller is the author of Concepts of a Black Conservative: Candid Political Incorrectness. The program topic, "Negro (Black) History in America," will entwine Miller's ideas with the historical facts. The blurb on the back cover of Miller's book says, "Blacks do not prosper because they harbor a welfare mentality. Rather than blaming the current Black condition totally on racism, Miller encourages blacks to become motivated to do for themselves and stop asking someone else to provide for them. Blacks need to take pride in their true Black heritage and love their blackness. Miller hopes that this literary will jolt those blacks who read it into some proactive thinking in order to better their situation."

       According to Sidney W. Frost, who posted a book review about Concepts of a Black Conservative on Amazon.com, "I have just finished reading this book and found it informative and easy to read. It reads like a combination between a memoir and a newspaper column. Although I am white, what makes this book special to me is that we are at the same age, and grew up in the same town. Austin was highly segregated up until we graduated from high school, separate-but-equal schools of course, as they called it back then. One surprise for me was the similarities in our upbringing and our beliefs during the time when I sat in the front of the bus and he in the back. But this book is not about growing up in Austin, Texas. It is a story of growing up Black in America. People of all races and ethnicities will get something out of this book. I know I did."

       Born in Austin, Miller had the privilege of bring raised by both parents: unlike many of the other children living in the segregated ghetto of east Austin. He attended the all-Black L. C. Anderson High School, which closed after desegregation.

Although both his parents worked, they were still regarded as low-income; however the family never received welfare. In 1962, Miller earned his Bachelor of Science degree in education and health from the University of Southern California. Since completing his education, Mr. Miller has worked for various social and health programs with the federal, local, and state governments. His volunteerism with community activities and programs is remarkable: Republican Precinct 132, Black Republicans Committee, Austin Black Citizens' Task Force, Rosewood-Zaragosa Advisory Committee, Republican Presidential Task Force, Travis County Citizen's Jail Bond Committee, Austin Junior Football Federation, Austin Child Guidance Center, Travis County Historical Survey Commission, MHMR Comprehensive Health Planning, Governor's Comprehensive Health Planning, Human Opportunities Corporation, Booker T. Washington Neighborhood, Boy Scouts, and the Disability Determination Services Committee.

       Miller's current work-in-progress targets the life of Frederick Douglass, a nineteenth-century America hero and an international icon. Known, as the "Father" of the Black Civil Rights Movement in American, Douglass was the son of a slave woman and an unknown white man. After escaping from slavery, he joined various anti-slavery movements in Massachusetts, which launched his lecturer career. During the Civil War, he conferred with Abraham Lincoln and recruited northern blacks for the Union Army. After the war, he fought for women's rights and African Americans alike.

       Since 1926, Americans have annually recognized black history, first as "Negro History Week" and later as "Black History Month." Most people do not realize that black history had barely begun to be studied or documented when the tradition originated.

Blooming Tree Press
Justin Parker, Assistant Editor - Adult Division, Blooming Tree Press
www.bloomingtreepress.com
My name is Justin Parker, and I'm an editor with Blooming Tree Press in Austin, Texas. I'd like to extend an opportunity for you writers to submit your manuscripts to our house. Please take a look at these attached submission guidelines and see if this is something you'd like to do.
Submission Guidelines
Because of the many submissions we receive, we ask you to strictly adhere to the requirements that follow:
    *Please submit a brief biography, synopsis, and the first three chapters of your manuscript only.  All material must be typed and double-spaced.
    *Include a stamped, self-addressed envelope for proposal or possible response, but do not send original manuscripts; they will not be returned.  Retain copies of all material sent in case originals get lost in the mail. *Name, address, phone number and e-mail of the author should be on the first page of the manuscript, and a header for subsequent pages should contain the author's name and title.
    *Fiction we consider should be approximately 60,000 - 100,000 words.
     We are currently acquiring the following categories of Fiction:
MYSTERY/THRILLER - Unique plot twists are certainly welcome to this genre, but don't forget the basics of good storytelling and characterization; these are the tools of your trade.  Fast-paced usually appeals to a wider audience these days, but a well-developed psychological thriller can be just as gripping.  An unfamiliar setting, skillfully employed, will help disorient your reader and heighten the overall effect of your story.
SCI-FI/FANTASY - Swords and lasers, robots and magic, aliens and dwarves…these are some of the trappings of this genre, the peripheral characteristics, but not the essential ones.  As in the movies, no matter how much special effect you add, if the plot is lacking, the story suffers.  To temper this wisdom, world-making is not a cardinal sin, and much of the initial appeal to a reader lies in the strange and wonderful places to which you can take them.  Finish the job by capturing their hearts as well as their minds.  Use the most powerful weapons you have in your arsenal:  heroes and villains.  
GENERAL FICTION - There is nothing that distinguishes good fiction more than a mastery of the fundamentals of writing:  diction, pacing, point of view, characterization, dialogue, conflict.  Do violate the edict a little bit; show more and tell less.  Have a central conflict, which helps the reader empathize with your protagonist.  Have a protagonist.  Read your manuscript, and ask yourself if you would like it if it were someone else's work.  Make your story important and relevant to your readers.  Raise the stakes, as one writer put it.
     N.B.  We are not accepting Horror manuscripts at this time.
Send submissions to:    Blooming Tree Press     
   Adult Division
   c/o Justin Parker
   PO Box 140934
   Austin, Texas 78714

Create A Literary Legacy:  Exercise Your Right to Write 
      from your pres., Joan Hall
We all join a writers' group for pretty much the same reason: our wish to write and have our work read by people who matter to us. Unfortunately, some of us never get around to our own wishes for putting everyone else's first. Somehow, we feel selfish if we claim our right to do this solitary thing. But how solitary is it really?
The activity director at a local nursing home once called me in to conduct a writing class. It so happened that the home had half a dozen residents whose greatest regret was never having written down their life stories. When we met a couple of hours each week, they were as excited as teenagers, sharing their stories, learning how to make them better, and hearing from others that what they had to say was interesting.
Only one of them could type, and another had such a hard time holding a pen, her daughter had to record her story by dictation, but each member managed to get at least one story on paper. When the class ended, I typed up the stories, made a cover, and bound "Wesleyan Writes" into a booklet. The activities director had copies made for the authors to give to family members, and no New York Times bestselling writer ever got more mileage out of a byline than they did. Not only had they fulfilled a lifelong wish, but their families had something to treasure-often with newfound respect. What a legacy to leave to one's descendants!
The director told me that at least some of the writers continued to journal and read to each other. Others were content to rest on their long-awaited laurels. I often wonder how many of these people could have had successful writing careers if they hadn't always put their wishes off for another day.
Wishing will never get your story on paper unless you team up that wish with will-power. First you have to make your writing a priority. Then you have to actually get words on paper. Will they be golden? Probably not on the first draft, but the only page you can't "fix" is a blank page.
Webster defines: "Writer - (n.) one who writes." (Have you been one today?)
     P.S. Have you been noticing bylines from fellow SGWL members in the Williamson County Sun? Besides the regular columnists, I've recently seen articles by Ginnie Voelker, Donna Bratton, Joy Nord, and Carmen Oliver, to name a few (let me know if I've missed anyone).
Check your last month's Gabriel Writer if you missed the Sun Editor's invitation to submit something and see if they'll sign you on to write more articles as they need them. This is a good opportunity.

CPA Explains the Right Deductions for the Writer

By

Joy Nord

 

“Nothing has done more to stimulate the writing of fiction than the

itemized deduction section of the income tax form.”

                                                  Diane O’Brien Kelly, CPA

 

       Whether you are expecting a refund from Uncle Sam, or anticipating another deposit into the U.S. Treasury, the preparation of those dreadful IRS forms is every taxpayer’s nightmare. And writers are no exception; they have their own set of woes.

      The January 4 meeting, of the San Gabriel Writers’ league, will feature Jim H. Johnson, CPA from Hutto, Texas. He will share “Everything the Writer Needs to Know About Taxes.” Find out if you are missing out on deductions, paying more tax than you should, or lacking in knowledge of the latest tax laws. Even if you are not yet published, you may be able to claim a loss that could offset the income from your “real” job.

       Mr. Johnson says, “The operable IRS words for claiming deductions are ‘reasonable, ordinary, and necessary’ costs for succeeding at your business. Learn the simplicity of his logbook techniques by keeping tabs on your income and expenses. The IRS report categories are: office expenses, utilities, legal and professional services, equipment, assets, advertising and promotion, home office, and travel. Knowing what you can and cannot deduct within each section can save you time and money in the long run. For example, deducting the Alaskan cruise you and your spouse took last summer to celebrate thirty years of matrimonial bliss would probably hit an iceberg with an IRS agent.

       Frequently asked questions to a CPA are: “I’ve heard, if you don’t show a profit in five years, you can’t court writing expenses anymore. Is that true?” “Do you have to publish an article or book before you can start counting writing expenses?” “If I deduct my home office space on my tax summary, how does that affect the resale of my house?” “How often can I deduct a new computer?” “When traveling out of town, are my meals deductible?” “If I self-published my book, is the expense deductible?”

        In 1975, Mr. Johnson earned his master’s degree at Texas A&M University. In 1991, after receiving his Texas CPA Certificate, his independent business adventures started. He opened a CPA firm, which specializes in small business consulting and taxes. From 1995 to 2004 he was co-owner and publisher of a local weekly newspaper.

        Mr. Johnson is a civic leader in Hutto. Twice, he has held the honor of Citizen of the Year for the Chamber of Commerce in 1992 and Mike Allen Sports in 2004. He is an active member of the Lions Club, Chamber of Commerce, and the Christian Church.    Presently, he is on the Alumni Association’s Board of Directors for Eastern New Mexico State University, for which he contributes accounting skills, business management, and personal communication and negotiation tactics.

History of Southwestern by Bill Jones Is a Must-Read for Everyone

                                          by Joan T. Hollier

Historians research and organize written records to help us perceive where we’ve been, to appreciate where we are, and to enable us to participate as we move ahead. Dr. William Burrell Jones performs an important service to Southwestern University and the Georgetown community in his newly released book, To Survive and Excel, Southwestern University 1840-2000. The weighty volume resulting from his scholarly work tells the story of the University, events intertwined with the story of the City of Georgetown and the history of education in Texas.

Dr. Jones brings together written records scattered in libraries, hidden away in archives, and preserved in personal collections or memories. He offers in one volume the story of how the University originated and grew into the remarkable institution we know today. In a chronological sequence, the writer develops various themes that run through the story.

One thread details leadership from Martin Ruter, who in 1837 offered himself as a missionary to Texas, to Roy Schilling, who completed his service as President in 2000. Ruter gave his life in the harsh conditions of the frontier, but he established a vision for a university. Francis Asbury Mood shared Ruter’s vision, devoting his life to melding into one the four schools whose names intertwine in the Southwestern seal. That dream never dims in the sight of future leaders who simply refine and sharpen it, never losing the vision of these courageous men.

Georgetown became the site of the university both men envisioned, and from that point on, the City shares history with the University. Demonstrating uncommon interest in education, citizens had funded the Texas University Company and built a building, hoping to attract a school. From the time Mood located the University in Georgetown, the town and the school have shared a common history creating another thread that runs through Dr. Jones’s story.

Mood left his mark on education in Texas by departing from the concept of the “renaissance man” educated in the classics in favor of the American university system introduced by Thomas Jefferson at the University of Virginia by which schools educate a person for a calling or profession. Dr. Jones traces the evolution of the curriculum offered at Southwestern as the needs     of students change over time.

Mood established the purpose of “helping students understand the mind to develop a philosophy of life, to sharpen intellectual tools for ethical decision making rather than to win them to the church.” Without the Methodist Church, Southwestern would never have survived, but the purpose has never been to evangelize the students. Dr. Jones clarifies the relationship of the Church to the University in another continuing theme.

The University encountered problems from competition with other institutions and the controversy over whether a major university may appropriately be located in a small town. Other cities tried to lure the University away from Georgetown; however, Southwestern furnished leaders to the new universities and lost students and professors to them. Dropping the word “Texas” from the name and adopting the name Southwestern University made it easier to get a charter from the State of Texas. Dr. Jones traces the quest for identity that Southwestern refined through interaction with other institutions.

By far the greatest struggle has been to control debt while building an infrastructure and to establish an endowment sufficient to support the academic program. Many chapters of the book dwell on cash flow and extraordinary measures to avoid going under financially. Survival of the school may be credited to the dedication of the faculty during hard times and to faithful alumni as well as community support. Economic security arrives late in the history of Southwestern; most of its years have been marked by financial uncertainty. Knowing the history, the reader will want to ensure that the present prosperity of the University continues as a dominant theme.

The book has 559 double-column pages plus bibliography, notes, and index, and weighs six and one-half pounds. The reader must struggle to hold the book to keep a page in focus, but the author keeps the story interesting by using simple and concise language and including human aspects of the history. The book is supremely readable, but also a reference book destined to become a classic.

Dr. Jones includes many interesting sidelights like the role of women who shared lives with the University leaders and women devoted to the Woman’s Suffrage League and anti-lynching movements, the role of women leaders on the staff, and also women partly or wholly responsible for major contributions to the endowment.

The author answers many questions newcomers may have about less prominent issues. As we become part of the history of the community, the past detailed in this book explains present circumstances and makes our participation in the community more satisfying and meaningful.

Funded by the Brown Foundation, Southwestern University published the book and owns the copyright. Graduates of the University may receive a free copy at Homecoming or have one sent to them. The book may be purchased by telephoning University Relations at 863 1483 at a nominal cost of $50.

He Still Cares

                                                ŠNeil Greene 1976

As I wandered alone at the end of my journey,

I pondered my life and my long wasted years.

I had left all the Friends I had known through my Saviour,

But what I didn’t know was that Jesus still cares.

 

‘Tho my lifelong ambition was to gain adulation,

And I strove just to please and to gain worldly praise,

Then the rush and the press and the blind admiration,

Seemed to bolster my pride, and uplifted my ways.

 

I had traveled the high road, and sped through the darkness,

When I stumbled and fell and the world passed me by,

Then I cried out in anguish, “What had I learned to live for?”

And when Jesus looked down, I saw the tears in His eyes.

 

As the throng of the many just point at the fallen,

And then turn their backs to my pain and despair,

As I struggled in torment, no one heard my calling,

That’s when Jesus reached down, and I knew that He cared.

 

When He offered His hand, and I felt the nail-prints,

Then the burdens I